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In 2013, Wetton guested on the album Grandine il vento with Renaissance, with whom he had played live 42 years before. In the same year, he toured with American Idol finalist Leslie Hunt's District 97 which was based in Chicago , to commemorate the 40th anniversary of the King Crimson album Larks' Tongues In Aspic .
The band were joined by well-known guest musicians Ian Anderson playing the flute on "Cry to the World", and John Wetton performing a duet with Haslam on "Blood Silver Like Moonlight". All the music was written by Dunford, except "Renaissance Man" (dedicated to Dunford) which was written by Rave Tesar.
18 mars 2013 · John Wetton (Asia, King Crimson, UK, Uriah Heep) appears as guest vocalist on the new Renaissance album Grandine il Vento, performing a duet with vocalist Annie Haslam accompanied by only the grand piano of keyboardist Rave Tesar.
Annie Haslam speaks about her memories and collaborations with John Wetton. Annie also delves into her own journey with Renaissance, shedding light on the defining songs that shaped their distinctive sound, such as 'Mother Russia' and 'Northern Lights', as well as current projects.
Two guests played on this album: John Wetton (who had performed with Renaissance in 1971) and Ian Anderson (of Jethro Tull). The Japanese bonus track, "Carpet of the Sun," was recorded at NEARfest Apocalypse in June 2012.
9 avr. 2013 · The band is helped by two stalwarts of progressive Rock in Ian Anderson and John Wetton. Anderson adds his characteristic flute to Cry To The World and Wetton his equally distinctive voice to Blood Silver Like Moonlight.
8 déc. 2023 · Annie Haslam of Renaissance shares her memories of John Wetton and highlights with Renaissance. Annie talks about how she first met John in 1971, when he briefly joined Renaissance, and how they reconnected later in their lives.
