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2 nov. 1976 · Kristina Talking Pictures: Directed by Yvonne Rainer. With Bert Barr, Frances Barth, James Barth, James Cagney. Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer.
Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
Kristina Talking Pictures se développe entre le champ de bataille des émotions et la violence plus générale d’hier, d’aujourd’hui et de demain. Kristina, une dompteuse de lions originaire de Budapest, débarque à New York pour travailler comme chorégraphe.
In Kristina Talking Pictures, Rainer resisted what she termed “narrative expectation” by making a disjointed film structured like a collage. A loose plotline runs through it, centered on a Hungarian lion tamer named Kristina, whose past is haunted by virulent anti-Semitism, and who has come to New York to become a choreographer.
Kristina arrives from Budapest to 1970s New York City, harboring hopes of becoming a dance choreographer, as well as romantic affections for an elusive sailor named Raoul. Synopsis courtesy of The Metrograph. Kristina Talking Pictures has been restored in 4K by the Museum of Modern Art and the Celeste Bartos Fund for Film Preservation.
Overview. Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul.
Kristina Talking Pictures se développe entre le champ de bataille des émotions et la violence plus générale d’hier, d’aujourd’hui et de demain. Kristina, une dompteuse de lions originaire de Budapest, débarque à New York pour travailler comme chorégraphe.
