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  1. 12 sept. 2019 · This chapter investigates why and how audience expectations and behaviours are changing, and explores emerging theories, concepts and practices of co-creation, including active spectatorship, co-production, participation, play, interpretation, and facilitation.

  2. 1 mai 2022 · The aim is to present and illustrate the use of a theoretical framework for analysing the complexities of co-production in the nexus between arts and research – with a focus on the overarching tension between cultivating the collaborative, creative process and producing specific research results.

  3. analysing the complexities of co-production in the nexus between arts and research – with a focus on the overarching tension between cultivating the collaborative, creative process and producing specific research results.

  4. 22 sept. 2020 · This paper examines the potential of co-produced arts-based methodologies through the lens of a social cohesion project, from the perspectives of five artists. Arts methodologies can be useful in working across different disciplines and across university and community boundaries to create equitable knowledge production processes.

  5. Grönroos (2011) forges a clear distinction between co-creation and co-production, arguing that the latter implies consumers participating in the production phases of the creative process whereas co-creation is linked to the creation of consumer value.

  6. 9 nov. 2022 · Based on our analysis and case comparisons, we landed on two CMO configurations for using the arts in co-production. First, the arts enabled new ways of building mutual understanding among co-production partners, leading to more positive attitudes about co-production.

  7. 1 mai 2022 · The article maps out the contested discursive terrain of arts-based co-production, and illustrates the use of the theoretical framework in analysis of a participatory research project...