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Kumarsen Samarth was an Indian film director. He belonged to a Marathi CKP family. His inclination towards the Marathi language led him to direct some great Marathi/Hindi movies such as Nal Damyanti and Rupaye ki Kahani (1948).
Shobhna eventually separated amicably from her husband Kumarsen Samarth. Later on, she had an intimate connection with Motilal Rajvansh, an accomplished actor of those times. In one of the interviews, she said, “ It was a wonderful relationship.
Kumarsen Samarth was a film director from India. He was from a Marathi CKP family. His affinity for Marathi prompted him to helm some outstanding Marathi/Hindi films such as Nal Damyanti and Rupaye ki Kahani (1948).
Kumarsen Samarth belonged to a Marathi modernist family and grew up to be one of the finest directors of the nation. His inclination towards Marathi language made him to direct some superb Marathi and Hindi movies such as Nal Damyanti and Rupaye ki kahani in 1948.
The Mukherjee-Samarth family is a Hindu Bengali-Marathi family that has been involved in the Hindi film industry since the 1930s, Shobhana Samarth having first acted in a film in 1935. The Mukherjee family was connected to the Samarth family by Tanuja's marriage to Shomu Mukherjee in 1973.
When the beautiful Saroj Shilotri wanted to become an actress, her maternal uncle opposed the idea, worried that nobody would marry her. Fate had other plans, however. Her marriage was arranged with a distant relative, the handsome Kumarsen Samarth.
Shobhana was married to director and cinematographer Kumarsen Samarth from Vile Parle (E), Mumbai. They had three daughters, Nutan, Tanuja and Chatura and a son, Jaideep. Eventually, the couple parted amicably, and Shobhana became linked to actor Motilal Rajvansh.
