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L’avventura builds on the work and experiences of Antonioni’s previous decade, which saw him working through his doubts about genre (film noir in Story of a Love Affair, backstage drama in La signora senza camelie, 1953); about narrative form (the counter-intuitive three-part structure of I vinti, 1952); his love of writer Cesare Pavese (author of the source novel for 1955’s Le amiche ...
Annie Stone et Eric Charden interprètent la chanson qui lança leur duo, plus gros tube de l'année 1971 en France, dans Samedi-Variétés le 15 avril 1972. Retr...
10 janv. 2022 · A7 D A Que notre histoire ne tienne plus qu'en un refrain [Chorus] D L'avventura Dmaj7 D Em C'est la vie que je mène avec toi Em A L'avventura A7 D C'est dormir chaque nuit dans tes bras D7 Am7 D7 L'avventura G C'est tes mains qui se posent sur moi D A7 Et chaque jour que Dieu fait mon amour avec toi D C'est l'avventura [Instrumental] D Em ...
11 déc. 1989 · Many films are called “classic,” but few qualify as turning points in the evolution of cinematic language, films that opened the way to a more mature art form. Michelangelo Antonioni’s L’Avventura (The Adventure) is such a work. It divided film history into that which came before and that which was possible after its epochal appearance. It expanded our knowledge of what a film could be ...
L’avventura C’est la vie que je mène avec toi L’avventura C’est dormir chaque nuit dans tes bras Elle : L’avventura C’est tes mains qui se posent sur moi Ensemble : Et chaque jour que Dieu fait mon amour avec toi C’est l’avventura Lui : Quand tu m’embrasses tout est nouveau sous le soleil Les jours qui passent ne sont jamais ...
Quarante-quatre ans après sa première projection et des dizaines de savants commentaires (Deleuze, Lacan, etc.), L’avventura reste déstabilisant pour certains, frustrant pour d’autres.
By Sven Mikulec It was May 1960 when Michelangelo Antonioni's L'Avventura first introduced itself to the public's eye. Today, this classic of European art films is hailed as groundbreaking, influential and obviously consequential, but to say it had a rocky start would be a euphemism. At the film's premiere in Cannes, the audience's
