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    relative à: Mingus Joni Mitchell
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  1. Joni Mitchell a notamment inspiré Janet Jackson [17], Stevie Nicks, Neil Young, Jimmy Page, Robert Plant, Prince, Joanna Newsom, Bill Callahan, Jeff Buckley et Eurythmics. Björk a déclaré que l'album Don Juan's Reckless Daughter figurait dans sa liste d'albums préférés [ 18 ] ; elle a enregistré une reprise de The Boho Dance , chanson figurant à l'origine sur l'album The Hissing of ...

  2. Mingus ist das zehnte Studioalbum von Joni Mitchell und entstand in Zusammenarbeit mit dem Jazzmusiker Charles Mingus. Es wurde in den Monaten vor seinem Tod am 5. Januar 1979 aufgenommen und war somit Mingus’ letztes musikalisches Projekt.

  3. Featuring – Charles Mingus; Guitar, Vocals – Joni Mitchell; Mastered By [CD] – Stephen Innocenzi; Mastered By [LP] – Bernie Grundman; Mixed By – Henry Lewy, Joni Mitchell, Steve Katz (2) Painting – Joni Mitchell; Percussion – Emil Richards; Recorded By – Henry Lewy, Steve Katz (2) Recorded By [Additional] – Henry Lewy, Jerry ...

  4. Explore songs, recommendations, and other album details for Mingus by Joni Mitchell. Compare different versions and buy them all on Discogs.

  5. www.jonimitchell.com › music › albumJoni Mitchell - Mingus

    Undeterred, in April 1978, Mingus rang again, to say he'd written six songs - provisionally and beguilingly titled 'Joni I-VI' - awaiting her lyrics and voice. Mitchell was "flattered", her then-manager Elliot Roberts recalled in the documentary Woman Of Heart And Mind. Mitchell remembered him warning: "Management begged me not to do it.

  6. Joni would have her moments grappling with fate later, though none so brutal as what Mingus was enduring. There was the story of Joni and Mingus and then there was the story of Mingus and Lester, which starts off the song, and, in a way, closes the circle, too. Finally, the record named for Mingus became a Joni Mitchell record.

  7. Still, Mingus (1979) holds considerable interest for Mitchell fans, both in terms of its historical value and for the haunting, risk-taking nature of the music itself. There’s both an air of intoxication and a pervasive note of sadness to these tracks, as if Joni is serenading Charles’ ghost in some otherworldly nightclub.