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25 janv. 2021 · Phantom of the Paradise is a 1974 musical, horror-thriller film satire about a disfigured rock opera composer seeks revenge against a record producer who has made a deal with the devil. Directed and written by Brian de Palma, with songs written by Paul Williams.
All souls last forever so we need never fear goodbye. A kiss when I must go... no tears... in time... we kiss hello. Introductory Narrator: Swan... he has no other name. His past is a mystery, but his work is already a legend.
Great memorable quotes and script exchanges from the Phantom of the Paradise movie on Quotes.net.
31 oct. 2014 · Paul Williams and more talk about Phantom of the Paradise, the movie no one saw, but everyone loves.
8 juil. 2014 · Habité par une remarquable poésie et traitant de la création artistique face au système financier, Phantom of the Paradise renvoie bien évidemment au classique de Michael Powell, The Red Shoes (Les Chaussons Rouges, 1948), référence également pour Scorsese et Romero.
View Quote Beef: Listen, Philbin, there really is a phantom. He was just in my shower. He threatened my life. He said his music was just for Phoenix. Only she can sing it. Anyone who else who tries, dies. Arnold Philbin: What the hell are you talking about? Beef: Look, Philbin, I am a professional.
Collection of sourced quotations from Phantom of the Paradise (1974) by Paul Williams. Share with your friends the best quotes from Phantom of the Paradise.
20 août 2022 · L'industrie de la musique a signé un pacte avec le diable. Découvrez l'explication du film Phantom of the Paradise, de Brian de Palma.
1 nov. 1974 · Phantom of the Paradise: Directed by Brian De Palma. With William Finley, Paul Williams, Jessica Harper, Gerrit Graham. A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise.
18 avr. 2017 · Malgré cette débauche de citations et de références, Phantom of the Paradise est peut-être le film le plus intime de son cinéaste. En grand paranoïaque, De Palma s’identifie à son antihéros, fantasme de l’artiste génial et méconnu dépossédé de son œuvre par Hollywood.
