Résultats de recherche
Kent Monkman’s The Scream—which derives its title from The Scream, 1893, by Norwegian painter Edvard Munch (1863–1944)—references the horrors of the residential school system. In the late nineteenth century, the Canadian government imposed “aggressive assimilation” on Indigenous peoples.
- Group of Seven Inches
In August 2004, Kent Monkman staged an intervention at the...
- Shall We Gather at The River
Shall We Gather at the River is part of a series titled The...
- The Triumph of Mischief
Gustave Doré, Le triomphe de Christianisme sur le paganisme...
- The Impending Storm
In The Impending Storm, Kent Monkman tells of a mythological...
- Resurgence of the People
The monumental installation mistikôsiwak (Wooden Boat...
- Jack Pine
In Jack Pine, Kent Monkman appropriates the iconic work The...
- Group of Seven Inches
7 juil. 2021 · Canadian Cree artist Kent Monkman's graphic and gut-wrenching painting The Scream (2017) depicts a chaotic scene. Mothers are held back by the Royal Canadian Mounted Police (Mounties) as they...
The Scream. Kent Monkman explores themes of colonization, sexuality, loss, and resilience—the complexities of historic and contemporary Indigenous...
Kent Monkman, Sisters & Brothers (photographie de film), 2015, film, 3 min, archives de l’ONF, anglais. Le cri ne circonscrit pas son action au passé colonial. Monkman situe le rapt à l’époque actuelle en représentant ses personnages dans des vêtements contemporains.
Known for his provocative interventions into Western European and American art history, Cree artist Kent Monkman (b.1965) grew up in Winnipeg, passionate about art and profoundly aware of how colonialism had affected Indigenous communities.
This haunting scene by Kent Monkman depicts Royal Canadian Mounted Police, priests, and nuns ripping Indigenous children away from their parents to send them to residential schools.
5 août 2020 · The Scream is a deeply distressing tableau of nuns, priests, and red-coated Mounties yanking crying children away to residential school, holding back their distraught...