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  1. en.wikipedia.org › wiki › Jane_ShoreJane Shore - Wikipedia

    Elizabeth " Jane " Shore (née Lambert; c. 1445 – c. 1527) was one of the many mistresses of King Edward IV of England. She became the best known to history through being later accused of conspiracy by the future King Richard III, and compelled to do public penance.

  2. Elizabeth « Jane » Shore (1445 environ - 1527 environ) est l'une des nombreuses maîtresses du roi Édouard IV, la première des trois qu'il décrit respectivement comme « la plus gaie, la plus rusée et la plus sainte des catins du royaume » N 1, 1 ; elle deviendra plus tard une courtisane, auprès d'autres nobles seigneurs.

  3. Jane Shore was a mistress of the English king Edward IV (reigned 1461–70 and 1471–83). Beautiful, charming, and witty, she is thought to have exercised a beneficial influence over Edward. The daughter of a prosperous London merchant, Jane at an early age married William Shore, a goldsmith.

  4. www.historic-uk.com › HistoryofEngland › Jane-ShoreJane Shore - Historic UK

    From moderately humble beginnings, Elizabeth ‘Jane’ Shore (c. 1445- c. 1527) became a key character in the real life Game of Thrones. As the War of the Roses (1455- 1485) raged throughout England, Jane became renowned as one of the most intelligent and beautiful women in the realm, the witty mistress of the king and a dangerous political ...

  5. She is the author of many books of poems, including That Said: New and Selected Poems (2012); A Yes-or-No Answer (2008), winner of the 2010 Poets’ Prize; Happy Family (1999); Music Minus One (1996), a finalist for the National Book Critics Circle Award; The Minute Hand (1987), awarded the 1986 Lamont Prize; and Eye Level (1977), winner of the Ju...

  6. 31 juil. 2021 · Jane Shore was a wealthy and educated woman who became the mistress of King Edward IV and later a political conspirator against his brother Richard III. She survived the accusations of witchcraft and treason and married Thomas Lynom, the King's Solicitor.

  7. This paper purposes to study the skein woven by the concepts of femaleness, conflict and power in Heywoods Jane Shore, by comparing her to other Renaissance versions of her character. She unwillingly arouses Edward’s desire, unaware as she is of the power of her beauty on men.