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The Innocent Eye develops a way of understanding vision inspired by recent literature in situated cognition. To explain why the world looks as it does, the book appeals to the structure of the environment in which we are situated and to our attunement to that environment.
The Innocent Eye draws the attention of philosophers to research that they have mainly neglected, and challenges the computationalist consensus that has been mainly taken for granted since philosophers learned about Chomsky, Pylyshyn, and Marr."
Quick Reference. A term used by Gombrich and the American philosopher Nelson Goodman (1906–98) to refer to a common assumption that images do not need to be read, whereas Gombrich stressed ‘the beholder's share’: ‘reading an image, like the reception of any other message, is dependent on prior knowledge of possibilities; we can only ...
The Innocent Eye: Why Vision Is Not a Cognitive Process : Orlandi, Nico: Amazon.ca: Livres
5 juin 2012 · The First World War brought to an end the period of remarkable creativity in modern painting, particularly in Cubism. The ghastly horror of trench warfare and the sheer scale of human destruction shattered for ever Europe's optimism and belief in inexorable progress.
Ernst Gombrich has criticized the innocent-eye concept as "demanding the impossible: the innocent eye is a myth,"3 he writes, though he keeps returning to a conception of art as being, in some sense at least, an attempt to match an image with reality.
1 août 2014 · According to the second, the world looks as it does primarily because of how the world is. In The Innocent Eye, Nico Orlandi defends a position that aligns with this second, world-centered tradition, but that also respects some of the insights of constructivism.
