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Il y a 1 jour · Mellow Tone features Hawkins with some wonderful compatriots like Eddie “Lockjaw” Davis (who was a major Hawkins disciple), Kenny Burrell/g, the rarely hear
Il y a 4 jours · Eddie "Lockjaw" Davis: 1976 1058 Don't Look Back: Nat Adderley Septet 1976 1059 Bouncin' with Dex: Dexter Gordon Quartet 1977 1060 Cunningbird: Jimmy Knepper Quintet 1977 1061 Time for a Change: Monnette Sudler Quartet/Quintet 1977 1062 Live in Japan: Duke Jordan 1977 1063/64 Live in Japan vol. 1: Duke Jordan 1977 31063 Live in Japan vol. 2 ...
Il y a 1 jour · JOHNNY GRIFFIN AND EDDIE LOCKJAW DAVIS LOOKIN’ AT MONK JAZZLAND WWLJ 7044 STEREO JAPAN Vinyl LP Current bid: $ 1.00 Time left ORIGINAL OUTER SLEEVE WITH STICKER! EVANS BROADSHAW PIECES OF EIGHTY-EIGHT RIVERSIDE WJC 296 STEREO JAPAN Vinyl LP Current bid: $ 1.00 Time left
Il y a 5 jours · Together with tenor saxophonist Eddie “Lockjaw” Davis, he led a quintet in 1960–62, before moving to France in 1963. He then maintained an active career touring European jazz centres, soloing with the Kenny Clarke –Francy Boland big band in the 1960s and, from 1978, leading his quartet in annual American tours.
Il y a 3 jours · "April in Paris" (arrangement by Wild Bill Davis) was a best-selling instrumental and the title song for the hit album. The Basie band made two tours in the British Isles and on the second, they put on a command performance for Queen Elizabeth II, along with Judy Garland, Vera Lynn, and Mario Lanza.
Il y a 4 jours · We Insist! (subtitled Max Roach's Freedom Now Suite) is a jazz album which was released through Candid Records in December 1960. It contains a suite which composer and drummer Max Roach and lyricist Oscar Brown had begun to develop in 1959 with a view to its performance in 1963 on the centennial of the Emancipation Proclamation.
Il y a 1 jour · That there has been an understandable reluctance on the part of some critics in this country to comment adversely on the work of Dave Brubeck is probably because Dave, both in his playing and most certainly in his relationship with the press, always evinces such a nice-guy quality that it seems nothing short of caddish […]
