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  1. en.wikipedia.org › wiki › Gene_AutryGene Autry - Wikipedia

    Il y a 1 jour · Orvon Grover "Gene" Autry (September 29, 1907 – October 2, 1998), nicknamed the Singing Cowboy, was an American actor, musician, singer, composer, rodeo performer, and baseball team owner, who largely gained fame by singing in a crooning style on radio, in films, and on television for more than three decades, beginning in the early ...

  2. Il y a 22 heures · This is the first Jenny Don’t & The Spurs album since longtime drummer Sam Henry, a former member of Portland punk greats Wipers and Poison Idea, passed away in 2022 after a battle with cancer. His spirit, however, courses through Broken Hearted Blue, a 10-track smorgasbord of crunchy alt-country, throwback cowpunk, and electrified honky-tonk ...

  3. Il y a 1 jour · Western music, influenced by the cowboy ballads, New Mexico, Texas country and Tejano music rhythms of the Southwestern United States and Northern Mexico, reached its peak in popularity in the late 1950s, most notably with the song "El Paso", first recorded by Marty Robbins in September 1959.

  4. Il y a 4 jours · But when they explore a Western-style, cowboy blues vibe, the results can be more mixed. Opener ‘Between The Lines’ has its moments, with its oddball rhythmic intro, cheese grater slide guitar and brisk choruses.

  5. en.wikipedia.org › wiki › Johnny_CashJohnny Cash - Wikipedia

    Il y a 1 jour · Cash singing songs of Indian tragedy and settler violence went radically against the mainstream of country music in the 1950s, which was dominated by the image of the righteous cowboy who makes the native's soil his own.

  6. Il y a 5 jours · You should have seen my reaction to the first snippet, with similar cowboy-like adages- “Tough like the scuff on a pair of old leather boots/Like the blue-collar, red-dirt attitude/Like a .38 made out of brass/Tough like the stuff in your grandpa’s glass.”

  7. Il y a 1 jour · The July 4 artists embraced the rich tools of their respective genres to express queer truths. In cowboy hats and gender-expansive apparel, night one crowds welcomed messages of identity, joy and humour. Offering an A/C escape, OK Naledi ’s Barney Danson Theatre performance presented engrossing Afrohouse synths.