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  1. en.wikipedia.org › wiki › Modern_artModern art - Wikipedia

    The pioneers of modern art were Romantics, Realists and Impressionists. [failed verification] By the late 19th century, additional movements which were to be influential in modern art had begun to emerge: post-Impressionism and Symbolism.

  2. 23 mai 2024 · Modernism was a movement in the fine arts in the late 19th to mid-20th century, defined by a break with the past and the concurrent search for new forms of expression. It fostered a period of experimentation in literature, music, dance, visual art, and architecture. Learn more about the history of Modernism and its various ...

  3. Modern art embraces a wide variety of movements, theories, and attitudes whose modernism resides particularly in a tendency to reject traditional, historical, or academic forms and conventions in an effort to create an art more in keeping with changed social, economic, and intellectual conditions.

  4. Paintings were typically of automobiles, trains, animals, dancers, and large crowds; and painters borrowed the fragmented and intersecting planes from Cubism in combination with the vibrant and expressive colors of Fauvism in order to glorify the virtues of speed and dynamic movement.

  5. www.tate.org.uk › art › art-termsModernism | Tate

    By the 1960s modernism had become a dominant idea of art, and a particularly narrow theory of modernist painting had been formulated by the highly influential American critic Clement Greenberg. A reaction then took place which was quickly identified as postmodernism.

  6. 19 oct. 2022 · The birth of modernism and modern art can be traced to the Industrial Revolution. This period of rapid changes in manufacturing, transportation, and technology began around the mid-18th century and lasted through the 19th century, profoundly affecting the social, economic, and cultural conditions of life in Western Europe, North ...

  7. 12 juil. 2009 · The three leading figures, John Lyman, Alfred Pellan and especially Paul-Émile Borduas, had different, often conflicting views, from which came an energy in ideas and a dynamic of change. Lyman returned to Montréal in 1931 after almost 24 years abroad, mostly in France.