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13 juil. 2024 · Juliette from Scienceworks teaches how to transform a room into a camera obscura, a technique used historically by artists and scientists. She details the materials needed like cardboard, rulers, and tape to create the camera obscura, emphasizing the importance of the aperture for light projections.
Il y a 2 jours · A camera obscura ( pl. camerae obscurae or camera obscuras; from Latin camera obscūra 'dark chamber') [1] is a darkened room with a small hole or lens at one side through which an image is projected onto a wall [2] [3] or table [4] opposite the hole. [2] [3] The image (or the principle of its projection) of lensless camera obscuras is also ...
In photography, it's usually the case that the larger the film or sensor, the better. Large-format film is a pain to deal with, but large-format sensors are extremely expensive. Fortunately, most of the properties of a large format sensor can be obtained by building a camera obscura that projects an image onto a relatively large screen, which we simply photograph using a small-sensor digital ...
11 juil. 2024 · Lumina Obscura - Imagefilm & Creator. Meine Faszination für Bodymodification begann früh. Ich habe diverse Eingriffe fotografiert und später auch gefilmt. Nach meiner Ausbildung als Fotografin ...
28 juin 2024 · Creating a camera obscura is a fascinating and fun way to explore the principles of optics and capture unique images. In this comprehensive guide, we will take you through the step-by-step process of making a camera obscura.
18 juil. 2024 · Camera obscura, ancestor of the photographic camera. The Latin name means ‘dark chamber,’ and the earliest versions, dating to antiquity, consisted of small darkened rooms with light admitted through a single tiny hole. The result was that an inverted image of the outside scene was cast on the opposite wall.
15 juil. 2024 · Noémie de Bellaigue : Camera obscura est le germe du processus de fabrication des photos. Comment avez-vous réalisé que c’était la méthode qui vous convenait le mieux ? Maciej Markowicz : J’ai toujours été fasciné par l’idée de la lumière exposée sur un morceau de papier et de l’image fixée dessus.
