Résultats de recherche
As I’ve gone through and returned to your work, it’s always felt like “The Underground Railroad” was an aesthetic and sonic culmination of what you and your team—Nicholas Brittell, James Laxton, Joi McMillon—had been unconsciously or consciously striving toward.
Schoonmaker, Walter Merch, Joi McMillon and Jennifer Lame. We aim to reinvent what’s already been done, and tell real stories with an artistic flair. As a partnership, we bring our individual perspectives together to create a singular, solid vision for audiences everywhere to witness and enjoy.
Joined by cinematographer James Laxton and editor Joi McMillon on select chapters, Jenkins offers copious details on his approach to adapting the Colson Whitehead novel, his collaborative spirit with the actors, and the careful balancing act of showing the horrors of the era without exploiting them.
New audio commentary featuring Barry Jenkins and, on select chapters, cinematographer James Laxton and lead editor Joi McMillon, with an introduction by the director; New graphic-novel adaptation of “Genesis,” an unfilmed chapter of The Underground Railroad written by Jenkins and Nathan C. Parker, with an introduction by Jenkins
Jenkins does commentary for every episode (which is 10 hours and therefore amazing), and on some episodes is joined by cinematographer James Laxton and lead editor Joi McMillon.
Criterion’s hi-def transfer looks pristine, and the voluminous extras include commentaries by Jenkins, cinematographer James Laxton, and lead editor Joi McMillon; a new graphic-novel adaptation of an unfilmed chapter; The Gaze, a companion film by Jenkins; and deleted scenes.
Other conversations in this ongoing series include those with editors Michelle Tesoro, Joi McMillon, Teri Shropshire & Dylan Tichenor; cinematographers Stephen Goldblatt, Robert Elswit, Brad Young and Charlotte Bruus Christensen; writer/director Miguel Arteta, writer/director Walter Salles, writer/director Randa Haines and more.
