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  1. Part of a generation of young German painters dubbed Neo-Expressionists during the 1980s, Anselm Kiefer has explored German myth and history in his art since the early 1970s. Woodcut, the only printmaking technique Kiefer uses, has played a central role in his work.

  2. Grane, Woodcut with paint and collage on paper mounted on linen, Museum of Modern Art, New York. Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Peter Dreher and Horst Antes at the end of the 1960s.

  3. Anselm Kiefer naît à Donaueschingen et grandit dans la région frontalière du lac de Constance et de la Forêt-Noire aux confins de la Suisse, de l'Allemagne et de la France, dont la culture l'influença plus particulièrement [2].

  4. 22 déc. 2023 · Le cinéaste retrace 50 ans d’une carrière singulière, grâce à des images d’archives de Kiefer. Il évoque ses débuts controversés, alors que l’artiste s’était photographié en costume...

  5. One of the artist’s favorite themes at this time was Grane, the sacred steed ridden by Brünnhilde when she sacrificed herself on Siegfried’s funeral pyre at the close of Wagner’s opera Götterdämmerung (Twilight of the Gods).

  6. 9 nov. 2008 · To create his monumental work Grane (1980–93), Anselm Kiefer printed large planks of wood that dramatically reveal all their rawness and roughness.

  7. Grane by Anselm Kiefer is the depiction of the horse hero in Richard Wagners opera cycle, Der Ring des Nibelungen. Grane’s owner is a woman by the name of Brünhilde. Brünhilde is a shieldmaiden ( an immortal female warrior ) from Norse mythology.