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  1. ireneschweizer.bandcamp.com › album › musical-monstersMusical Monsters, by DON CHERRY, JOHN TCHICAI, IRÈNE ...

    Pierre Favre: Drums. Recorded August 30, 1980, at Jazzfestival Willisau. Festival organised by Niklaus Troxler. Recording engineer: Peter Pfister. Mastered by Willy Strehler 2016.

  2. www.allmusic.com › album › musical-monsters-mw0002968692Musical Monsters - Don Cherry, John Tchicai, I... | AllMusic

    26 août 2016 · Musical Monsters by Don Cherry, John Tchicai, Irène Schweizer, Léon Francioli, Pierre Favre released in 2016. Find album reviews, track lists, cr...

  3. www.youtube.com › watchDon Cherry, John Tchicai, Irène Schweizer, Léon Francioli ...

    2 juil. 2021 · BUY AT https://ireneschweizer.bandcamp.com/album/musical-monstersLabel: Intakt - CD 269 Tracklisting & timestamps:1. Musical Monsters 1 [0:00]2. Musical Mon...

  4. www.amazon.ca › Musical-Monsters-Don-Cherry › dpMusical Monsters: Don Cherry, John Tchicai, Irène Schweizer ...

    Musical Monsters: Don Cherry, John Tchicai, Irène Schweizer, Léon Francioli, Pierre Favre: Amazon.ca: Music

  5. rateyourmusic.com › musical-monstersMusical Monsters by Don Cherry, John ... - Rate Your Music

    Musical Monsters, an Album by Don Cherry, John Tchicai, Irène Schweizer, Léon Francioli & Pierre Favre. Released 15 August 2016 on Intakt (catalog no. CD 269; CD). Genres: Free Jazz. Featured peformers: Don Cherry (trumpet), John Tchicai (alto saxophone, voice), Irène Schweizer (piano), Léon Francioli (bass), Pierre Favre (drums).

  6. www.discogs.com › release › 8811308Don Cherry - John Tchicai - Irène Schweizer - Discogs

    View credits, reviews, tracks and shop for the 2016 CD release of "Musical Monsters" on Discogs.

  7. www.intaktrec.ch › 269-aCHERRY – TCHICAI – SCHWEIZER – FRANCIOLI – FAVRE

    John Tchicai, Don Cherry, Irène Schweizer, Léon Francioli und Pierre Favre trafen sich für ein Festivalkonzert unter dem Bandnamen "Musical Monsters". Ein paar wenige Themenmelodien, mehrheitlich von John Tchicai geschrieben, dienten als Scharniere zwischen den Soli und den Improvisationen.