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Il y a 4 jours · Mirror, Mirror is a 1990 American supernatural horror film directed by Marina Sargenti, based on a screenplay by Annette Cascone and Gina Cascone. It stars Karen Black, Rainbow Harvest, Yvonne De Carlo and William Sanderson.
Il y a 2 jours · One of the primary ways that films use reflections is to create visual depth and complexity within a scene. By incorporating reflective surfaces such as mirrors, water, glass, and shiny objects, filmmakers can add layers of visual interest and depth to their compositions.
Il y a 2 jours · Multimode fibers are attractive for high-power lasers if transverse modes are efficiently controlled. Here, a dielectric thin-film mirror (R~20%) is micro-fabricated on the central area of the end face of a 1 km multimode 100/140 µm graded-index fiber and tested as the output mirror of a Raman laser with highly multimode (M2~34) 940 nm diode pumping.
Il y a 4 jours · In geometry, the mirror image of an object or two-dimensional figure is the virtual image formed by reflection in a plane mirror; it is of the same size as the original object, yet different, unless the object or figure has reflection symmetry (also known as a P-symmetry ).
30 juin 2024 · In these works, a cast of performers face an audience carrying mirrors and panes of plexiglass in synchronized, choreographed motions. The audience, performers, and surroundings are reflected and fragmented in the moving mirrors as the piece unfolds, blurring the boundary between spectator and participant.
Il y a 2 jours · Movies Insider shared that in Orson Welle’s 1947 film The Lady From Shanghai, the iconic hall of mirrors scene used two-way mirrors, and the cameras simply shot from the non-reflective side. This technique was also used in 2019′s It Chapter 2. For other scenes, “the mirror is actually a window looking into a duplicate version of the set”.
17 juil. 2024 · Modern Records also released a special long-form interview video on the making of the album, titled "Reflections from the Other Side of the Mirror", which contained newly filmed material shot by Herbert Worthington III.
