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Il y a 7 heures · If Ever You're in My Arms Again. " If Ever You're in My Arms Again " is a 1984 song recorded by American contemporary R&B singer Peabo Bryson. Released as a single from his album Straight from the Heart, the single peaked at number 6 on the R&B chart and was Bryson's first Top 10 single on the Billboard Hot 100 chart, where it peaked at number ...
Il y a 7 heures · Christine Jensen is a composer, conductor, and saxophonist based in Montréal. She was awarded the Juno Award for Contemporary Jazz Album of the Year for her albums Treelines (2011) and Habitat (2014).
Il y a 7 heures · In May 1962, McNamara paid his first visit to South Vietnam, where he told the press "every quantitative measurement...shows that we are winning the war". Led by General Paul D. Harkins , the officers of the Military Assistance Command, Vietnam altered a map that showed too much of South Vietnam under Viet Cong control, and massaged the statistics to make the Viet Cong appear weaker than they ...
Il y a 7 heures · Burt Freeman Bacharach ( / ˈbækəræk / BAK-ə-rak; May 12, 1928 – February 8, 2023) was an American composer, songwriter, record producer, and pianist who is widely regarded as one of the most important and influential figures of 20th-century popular music. [4] [5] [6] Starting in the 1950s, he composed hundreds of pop songs, many in ...
Il y a 7 heures · Nonito Donaire may be a boxing icon and future hall of famer but he should consider hanging up the gloves — according to his trainer Robert Garcia. Donaire (42-8, 28 KOs) recorded consecutive ...
Il y a 7 heures · Johann Wolfgang Goethe, Ölgemälde von Georg Oswald May, 1779 Ein Kux des Ilmenauer Kupfer- und Silber-Bergwerks über 20 „Thaler“, ausgegeben am 24. Februar 1784 in Weimar, im Original unterschrieben von Johann Wolfgang von Goethe, Johann Carl Wilhelm Voigt und Christian Gottlob Voigt.
Il y a 7 heures · And the next generation of progressive players would be even more accommodating, moving inside and outside the changes without thinking twice. Musicians such as David Murray or Don Pullen may have felt the call of free-form jazz, but they never forgot all the other ways one could play African-American music for fun and profit.
