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  1. 30 mai 2018 · Expresiva cabeza con corona. 110,5 millones de dólares. Esa fue la puja más alta por este cuadro en una reciente subasta de la casa Sotheby’s, que marcó un nuevo récord para cualquier artista americano, este autor, que ya está criando malvas, pero que no deja de generar dinero.

  2. “Your gaze hits the side of my face,” admonishes Barbara Kruger in Untitled (1981). The phrase is made stark and impersonal by arranging the words in a vertical stack, like those of a ransom note, to the left of a photograph of a female portrait bust in profile.

  3. oilstick on paperboard 60 x 40 in. (152.4 x 101.6 cm.) The feverish torrent of energy that is unleashed by Basquiat’s Untitled, with its signature rapid-fire strokes and frenetic oilstick markings, reveals an artist poised on the brink of greatness. Arms raised, eyes wide, teeth bared and ready to take on the world, this heroic figure […]

  4. JEAN-MICHEL BASQUIAT (1960-1988) Untitled grease pencil and acrylic on wood 60 x 11 ¼ in. (152.4 x 28.6 cm.) Executed in 1981. This work is accompanied by a certificate of authenticity issued by the Authentication Committee for the Estate of Jean-Michel Basquiat.

  5. Untitled est un tableau réalisé par le peintre américain Jean-Michel Basquiat en 1982. Exécuté à l' acrylique , l' aérosol et au bâton d' huile sur toile , il représente une tête d' homme noir aux dents apparentes devant un fond bleu céruléen .

  6. Il y a 3 jours · Untitled #93. 1981. Chromogenic color print, 24 x 48" (61 x 121.9 cm). Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York.

  7. acrylic on canvas 72 x 48in. (183 x 122cm.) Basquiat’s Untitled from 1984 is an outstanding painterly example of the artist’s signature anatomical figure. ncorporating the full range of the artist’s artistic vocabulary, in Untitled we see Basquiat intuitively and poetically juxtapose subject-matter from scientific textbooks and street art, the vibrant passages of colour combined with the ...